I haven’t been out and about as much as usual as have been busy with tight deadlines so, as there’s now just a week to go till The Other Art Fair I’ve been exclusively focussed on the studio developing new work to exhibit. Here are a few snaps of a couple of pieces that’ll be on my stand (No. 48).
Energy (dark ground) 100 x 80cm
This canvas, tentatively named Energy (dark ground), is one of a pair finished only a few days ago during the very cold spell when the pipes in my studio froze. I’m a bit obsessed with a dark ground at the moment – it has something to do with an intensity of mood. I had planned to paint a series of three ( I have a thing for triptychs) but then received my stand layout (No. 48) which doesn’t allow for 3 large pieces in a row. Never mind, they work as single paintings too.
I work ideas out through drawing and studies: this one developed from the small piece below, itself one of a series.
Dark Study (1) 18 x 13cm
One of my nightmares is naming work so please send me any suggestions – they are always welcome and I look forward to meeting you at the show.
Artists and designers have and always will be, inspired by nature. These two makers, seen at Made London, are a case in point.
Bridget Bailey’s exquisite interpretation of bird eggs made from textiles and feathers caught my eye, quite a change from her earlier insects and moths (see a previous post)
as did the work of another textile artist, Amanda Cobbett, who is completely obsessed with nature. Her highly reflective display boxes didn’t permit decent photos of these fungi so please visit her website for better imagery
And those red dots below are from my camera, not some aberration on the mushroom.
To see more of Bridget’s work, visit Clockwork Studio’s Christmas Open Studios 8th – 10th December
The principle of this blog is to be read in less than a minute so my intent is for you to be able to look into the connections further at your leisure. Whilst events have already taken place, many will recur including this one next year (dates at the end)
The first Roy’s People Art Fair took place in September, only ten days after The Other Art Fair Bristol and had a varied selection of artists including the ubiquitous Rod McIntosh showing a wall of tonda
and Sarah Needham with her colour field paintings, so much more impressive in real life than on screen.
I’ll be exhibiting at the next Roy’s People Art Fair at the OXO Bargehouse London 12th – 15th April 2018.
This is the last of the group posts showing Abigail Bowen’s smaller paintings,
one of regular exhibitor Ali Yanya’s prints,
Clare Cutts‘ moody treescape print and
Elaine Kazimierczuk’s colourful garden paintings.
Still feeling inspired by artists I showed with at The Other Art Fair in Bristol. Here are more shots showing the wide variety of art as I whipped round before opening time.
Michelle Loa Kum Cheung’s landscapes,
Olivier Leger’s intricately detailed drawings, and Sara Dare’s suggestive abstract paintings.It’s not just me is it? The last post in this series follows next week.
There really is something for everyone at The Other Art Fair as, I hope, the following images and posts will show. It’s well worth a visit wherever it is.
From oil painted landscapes by Dawn Reader, another stand neighbour in Bristol,
to a new series of paintings by John Hainsworth ;meticulous still lives by Hisham Echafaki and large abstracts by Kate Williams More artists to follow…
Writing this as it rains outside, The Other Art Fair Bristol with sunbathers outside the Arnolfini Gallery now feels a long way off.
Every TOAF event has its communal displays with the ones here including The Colours of Bristol, an Instagram project created over 7 weeks with Bristol 247, @porthjess and @joyfulbristol – I saw it before opening time as you can see from the frenzied activity below. Next to my stand was the I,the Poet. You, The Poet project by Biba & Laurie Cole which was consistently busy as visitors drew images and thoughts with outsized pens and brushes.